Thanks to volunteers, thanks to you, thanks to we, thanks to all of us. The "us" being the immediate and wider printing and type casting community, wordsmiths and bibliophiles. We are grateful for you and your everyday heroic actions that go towards supporting our community. Your time, your energy, your experience and in some cases your hard earned cash - all contributed towards efforts that seem impossible and impractical. Like for instance, building, maintaining and operating a type foundry. Yup. It's the kind of thing that doesn't quite pencil out on paper, but the meaningful and memorable things in life often aren't easily explained. It's something to be grateful for. Pics above are from the C.C. Stern Type Foundry volunteer appreciation picnic. Type was cast, prints were made, poems were recited, projects were shared.
Soundtrack for the moment
It's Friday, November 25th.
Soundtrack for the moment is Melvin Wine's "Hannah at the Springhouse." That tune always gets me. Mean and gritty but haunting and hopeful. Sounds like a misty cold morning with a hot drink and warm fire waiting on the other side of the mist. The tune has been quite elusive for me, over the years I've attempted to play it on the fiddle, but it has always been out of my league. This evening I had a bit of break through. I had the bow working in a way that flowed a bit, and sounded a little closer to Melvin's playing.
Pictured above is the "fiddleink" Linotype model 31 machine located at its former digs on North Interstate Avenue in Portland. A keyboard close up, showing the famous Etaion Shrdlu arrangement.
Soundtrack for the moment 11-14-22
It's Monday, November 14th.
Soundtrack for the moment:
Charles Mingus Quintet - Haitian Fight Song
Defiant. Rolling. Thumping and blowing.
Mingus: "Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity."
Pictured above is the "fiddleink" Linotype model 31 machine located at its former digs on North Interstate Avenue in Portland.
On-Line Launch of the C.C. Stern Type Foundry Poets Laureate Broadside series this evening!
As the dust has been settling from the recent C.C. Stern Type Foundry move to its new pole barn home in Clatskanie, my colleagues at the foundry have also been busy coordinating the release of a broadside that is the first in a series highlighting Pacific Northwest Poets Laureate. This first broadside features a poem by Samuel Green (Poet Laureate of Washington State 2007-2009), written in honor of the life of our friend, mentor, master craftsman and the organization's name sake: Chris Stern. Join us on-line for the launch of this broadside and of the series this Thursday, September 22, 2022 at 7:00 PM to 8:00 PM. Details for the event are here. The event is free, but an RSVP is required. I hope to see you there live on the internets.
C.C. Stern Type Foundry End of Year Newsletter
If you’re not already subscribed, here’s a link to the C.C. Stern Type Foundry’s latest newsletter. Yup, this link will take you to the newsletter.
Don't be a Jerk. Read Moby Dick!
Recently, my brother and I challenged (encouraged?) each other to read Herman Melville's Moby Dick. It's something we both have wanted to do, but hadn't prioritized until these quarantine times. So we hatched a plan to read it daily in small sections, roped some friends into reading along with us, and dubbed the project: "Don't be a Jerk. Read Moby Dick!" Pictured above is a sign printed in a very limited quantity to celebrate the reading event.
Musing: Pat Stan*
* Beware of amateur use of the term "stan."
Several weeks ago while waiting in line to punch the clock and close out my graveyard shift at the train yard, I was gray-eyed-zombie-scrolling through tweets on my phone along with my fellow zombie-scrolling co-workers. Yeah, you don't have to tell me - it's a bit of a sad scene. But, the smiling face of Pat Randle rolled across my phone screen in the form of a tweet, and man, that cheered me up. It was so good to see that guy first thing in the morning, minutes before I was to conclude my work day.
I've been thinking of him a bunch recently. And thinking about reaching out to him, but for some reason, haven't managed to actually do it. So, look, I'll do it now. Perhaps before, or maybe after this screed posts.
Anyway, the tweet was posted by Angie Butler during the socially distanced 2020 Print and Book Festival hosted by Centre for Fine Print Research. Thanks Angie for putting the word out! Here's a link to it. You can see what Pat has been working on recently. He discusses the production of "2020 Vision." As always, it's beautiful stuff. Considering the variety of wood engravings included within those pages, I'm in awe of the production that went into this book - it certainly would require extensive and meticulous make-ready. Fantastic work, Nomad crew.
After viewing the short video from Angie's link, I went on a Pat Stan fest, or a Stan Pat fest(?). Here's his website so you can go down that path, too. You won't be disappointed. Check out Pat's Monotype Border series - the prints are an excellent example of how classic hot metal composition is continuously re-imagined to create current innovative designs.
Aside from the website prowling and zombie scrolling, once I arrived at home, Angie's tweet inspired me to pick up and re-read the real life and very much not in the zombie world Double Dagger number 3 of which Pat and Nick Loaring are editors, printers and designers. Again, it was an inspiration to hold those oversized pages created from hot metal and hand craft. Printed with love and sacrifice. Check Double Dagger here.
This all reminds me to report that way back in February 2019, Mr Randle made a trip up to Portland for a visit after attending the Codex book fair. This was shortly after I started the 3rd shift train yard job, and shortly after it was necessary to hastily downsize our commercial print operation and move much of the equipment into storage. I was a bit shell shocked by the time Pat arrived - but I imagine that my state of mind was a good match for Mr. Randle's likely jet-lag, though he seemed to be in good form. Regardless, we still managed to have some good times. We took a drive out to the Columbia Gorge, viewed some spectacular Pacific Northwest Scenery and talked to some locals who were very intrigued by Pat's accent and charm. We then meandered to a small-town brew pub located in the shadow of the Bridge of the Gods where we sampled some pacific northwest style IPAs. Then it was back to Portland to drop off the car, go for tacos, tequila, and embark on a proper bar crawl while discussing type, print, future projects. When it was all said and done, we both made it back to our places in one piece, so the day was a success. Later that weekend, Pat was the featured presenter at a C.C. Stern Type Foundry "Type Jam" where local type casters and printers were happy to share shop talk and print work with the exotic world traveler.
We very much appreciated his visit to our part of the world - it was a good follow up to our visit to his Gloucestershire stomping grounds back in 2015. We look forward to crossing paths again.
Signed, Brian Scott Bagdonas, member of the Pat Randle Stan Club. Can I just say "Fan Club?" I don't get it.....
Join the C.C. Stern Type Foundry on-line for a "Type Jam" with Jason Dewinetz at Greenboathouse Press
C.C. Stern Type Foundry's Summer Type Jam will be held via Zoom and hosted by Jason Dewinetz at Greenboathouse Press.
Monday, August 24, 2020
12:00 PM (Pacific Time)
Jason is up and running in his recently constructed shop space. I’m excited to have a peek at his new digs and hopefully see some of his recent work. I’m sure it’s going to be good. The guy is an amazing craftsman – his print work will make your jaw hit the floor. And I see on his website that he is wearing a “Skull Skates” printer’s apron. I didn’t know such a thing existed. Jason is that kind of fella. Please join us later today! Here's a link to the official invite and additional information. While you're there, please consider signing up to the C.C. Stern Type Foundry Mailing list to learn about current happenings and future events.
Linotype casting for Barbara Tetenbaum's "Old Friends in Nebraska; Mesostics on the introduction to My Antonia"
Earlier this year I had the opportunity to see Barbara Tetenbaum's completed artist book "Old Friends in Nebraska; Mesostics on the introduction to My Antonia" which included Linotype composition which I had set and cast at Stumptown Printers shortly before we moved out of the Interstate Avenue shop space. Barb and I had proofed several faces before settling on 10 point 496 Caledonia.
From the perspective of Linotype composition, the mesostic form requires an unconventional alignment — the text is arranged so that a vertical phrase intersects lines of horizontal text. I first attempted to hand-insert thin spaces while keeping a close eye on the assembler slide em scale to achieve the alignment. It didn't work. It was labor intensive and provided less than ideal results. I settled on a more time intensive though much more reliable method, which was to employ the machine's quadder and the Hammond glider saw. Each line was cast twice with left and then right alignment, and trimmed to form the single “mesostic” aligned line. This allowed for more controlled letter spacing, in which a half point at a time could be cut with the saw.
The finished piece is beautiful and meticulously printed. I’m happy that the Linotype composition made the cut! Below are photos of the casting and proofing process.
Poetry Fire
Poetry Fire! This poster hangs on the backside of our garage in the window facing out towards our backyard. Printed in an edition of 8 or so, set in Kabel wood type and hand inked, it was designed to catch the attention of one person for whom the event was for. That is, my partner Rebecca. We were looking for an excuse to reacquaint ourselves with the poetry chapbooks sitting on our shelves in the house. So, during our first-stage* covid-lock-down-backyard-hang-outs (the two of us) we'd read poetry aloud around the backyard fire pit. We made a cocktail for the event as well. Recipe below.
Poetry Fire Cocktail
2 oz bourbon
1 oz lemon juice
¾ oz maple syrup
2 pinches fresh grated ginger
*During the first-stage of the pandemic, when very little was known about the Coronavirus - it was rumored that people could be stricken instantly with the bug, and drop dead to the sidewalk with no warning (remember that? yes, during the early months of 2020 this tale had traction). At this time the idea of transmission through aerosols was down-played, and the focus was on transmission through touch. At work we wore gloves, but didn’t wear masks. Impenetrable objects could host the virus for 72 hours or more, so you better not touch anything. That was the thought. Anyway, it was during this time that a lot of the world shut down. It was quiet. People were scared. The lock-down was on. Most people didn’t report to their workplaces in person. I was one of the folks who worked in-person with my colleagues as essential workers at the light rail train-yard. My brother was also one of the “essentials” showing up every night at the waste water treatment plant. People who turned wrenches, people who drove trucks, people who worked in the business of making food, moving food, delivering food, selling food, people who monitored systems of civilization did not slow their pace. At the time, many people who didn't work those types of jobs and who were sent home to hunker down recognized the importance of these “essential” jobs. Where would we be if we couldn’t go to the local market to pick up supplies? What would happen if while the rest of the city were shut down, my water, sewage and electricity was turned off because there weren’t workers monitoring those systems? Yeah, the essential workers were recognized. It was a sentiment that was very short lived. Anyway, I'll steer away from the bitter tone here. Perhaps another time will be appropriate to expound on those thoughts. Regardless, it was an interesting time, and Poetry Fire was born out of the surreal lock-down days.
"Shelvin' Rock" played by Ernie Carpenter and Michael Kline at the 1982 Vandalia Gathering
One of my favorite tunes and fiddler. I haven't seen much video/film documentation of Ernie - it was a nice surprise to find this on youtube. Thanks to West Virginia Department of Arts, Culture and History for making this available to the public through their West Virginia State Archives Music Channel.
Linotype Machines in the News November 13th, 2019
Hey! It's our buddy Michael Babcock in the Boston Globe! And he is "bringing it." Meaning, man, look at that machine. You can see the hours of care and maintenance Michael has put into keeping that model 31 happy. That thing is gorgeous. As an example of his dedication to maintenance, check out what appears to be a polished piece of aluminum custom fitted to help slug shavings stay within the waste tray below the pot. Nice idea. Also, check out the compositor's chair. I've not seen one as clean and in pristine condition as that one. Anyway, the guy isn't messing around, and it's nice to see him featured in this article by Brian MacQuarrie. Published in the Boston Globe November 10, 2019. Article here: With Linotype print, the old is new again. To get in touch with Michael and/or to see his work, check these links: Linotypesetting and Interrobang Letterpress.